People either loved it or hated it, but either way, Kendrick Lamar’s halftime show at Super Bowl LIX has been all over the news—mostly because of his ongoing beef with Drake. While I’m not usually one to weigh in on rap beefs, I haven’t been able to stop thinking about this one—for legal reasons.
Last month, Aubrey “Drake” Graham filed a lawsuit against the record label UMG Recordings, Inc. for, among other things, releasing Kendrick Lamar’s hit single Not Like Us. In case you’ve been living under a rock, this track accuses Drake of being a pedophile and sex trafficker.
Sure, this case is dominating the pop culture conversation right now, but its impact extends far beyond rap fans.
At its core, defamation is the act of spreading false statements that damage another person’s reputation. There are two types:
The First Amendment protects free speech, including expressions of opinion—but not false statements of fact.
For public figures like celebrities and politicians, proving defamation is much harder. And generally, that’s a good thing for free speech rights. A statement about a public figure is not considered defamation if:
Drake’s lawsuit argues that the accusations in Not Like Us have caused him serious harm—reputational, physical, emotional, and financial. He claims that:
To win the case, Drake must prove that UMG knowingly and recklessly spread false claims about him. Specifically, his lawsuit alleges that:
While the outcome remains uncertain, this case is significant. At its core, it tests the balance between free speech and defamation law—a crucial issue in an era where digital media spreads information (and misinformation) faster than ever.
Beyond defamation, this lawsuit raises important questions about corporate and ethical responsibility in the music industry. Should record labels be held accountable for the lyrics they distribute? Do they have a duty to fact-check incendiary claims before releasing music?
No matter how this lawsuit plays out, one thing is clear: it will shape conversations about First Amendment rights, defamation law, and artistic freedom for years to come. Someday, history books might teach defamation law through the lens of a rap battle—and honestly, I think that makes this case worth paying attention to.